The title ‘The Outsider’ is a direct reference to the 2 outside mallets playing a prominent role throughout. The technique takes great care and control, hence the predominantly laboured tempo. The meaning of the title also doubles as a solemn circumstance that is ideally captured by the performer. While simplistic in its presentation, consideration should be given to the delicate presentation of this piece. The range extends down to a low C3 in the bass stave.