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<channel>
	<title>Sheet Music &#8211 Kaylie Dunstan</title>
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	<link>https://kayliedunstan.com</link>
	<description>Percussionist and educator</description>
	<lastBuildDate>Sun, 01 Mar 2026 03:42:03 +0000</lastBuildDate>
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		<title>Go! Da Capo!</title>
		<link>https://kayliedunstan.com/product/go-da-capo/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Sun, 01 Mar 2026 02:53:12 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1736</guid>

					<description><![CDATA[[audio wav="https://kayliedunstan.com/wp-content/uploads/2026/03/Go_Da_Capo.wav"][/audio]]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Go! Da Capo! is named after a game found in <a href="https://kayliedunstan.com/product/percussion-masters-beginner-group/">Percussion Masters Beginner Group</a>. This is the one game where getting to the end of a piece of music first makes you the winner! Players roll a di to determine phrases they attempt on different instruments. Eventually, all players will Go! Da Capo! and see how their piece will end. The sections in this composition are reminiscent of the material found within the game. Performers also shout at the audience when they repeat back to the beginning. A catchy little piece that will allow everyone to shine.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1736</post-id>	</item>
		<item>
		<title>White-Wash</title>
		<link>https://kayliedunstan.com/product/white-wash/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Wed, 25 Feb 2026 09:25:17 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1728</guid>

					<description><![CDATA[Improvising can be a daunting ask for many musicians. But with the right framework, it can be incredibly freeing. &#8216;White-Wash&#8217; utilises bowing on cymbal and vibraphone<span class="excerpt-hellip"> […]</span>]]></description>
										<content:encoded><![CDATA[<p>Improvising can be a daunting ask for many musicians. But with the right framework, it can be incredibly freeing. &#8216;White-Wash&#8217; utilises bowing on cymbal and vibraphone and the performer employs a one-handed roll, serving as a nice initiation into 4-mallet technique. Independence between the hands is another feature of this work, placing it at a comfortable grade 3 level. It is also included in the <a href="https://kayliedunstan.com/product/percussion-masters-13-17yrs-crash-course/">Percussion Masters 13-17yrs Crash Course.</a></p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1728</post-id>	</item>
		<item>
		<title>Off the Beaten Track</title>
		<link>https://kayliedunstan.com/product/off-the-beaten-track/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Wed, 25 Feb 2026 07:59:16 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1722</guid>

					<description><![CDATA[[audio mp3="https://kayliedunstan.com/wp-content/uploads/2026/02/Off_the_Beaten_Track.mp3"][/audio]]]></description>
										<content:encoded><![CDATA[<p>Taken from the work <a href="https://kayliedunstan.com/product/trip-hazard/">&#8216;Trip Hazard</a>&#8216;, &#8216;Off the Beaten Track&#8217; is the drumset realisation of the same material. Adding melody to rhythm, this sequel is a fitting rounding off to the snare drum solo version. Someone once told me to imagine my snare drum notes being scored across the other instruments in a symphony orchestra. The result is a fascinating reinvention of the sound, transforming what the listener hears based on what is imagined by the performer. Revisiting &#8216;Trip Hazard&#8217; after this piece could very well have the same effect.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1722</post-id>	</item>
		<item>
		<title>Trip Hazard</title>
		<link>https://kayliedunstan.com/product/trip-hazard/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Wed, 25 Feb 2026 07:44:38 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1717</guid>

					<description><![CDATA[[audio mp3="https://kayliedunstan.com/wp-content/uploads/2026/02/Trip-Hazard.mp3"][/audio]]]></description>
										<content:encoded><![CDATA[<p>This is a snare drum solo that is a precursor to <a href="https://kayliedunstan.com/product/off-the-beaten-track/">Off the Beat Track</a>. It&#8217;s around grade 8 level, requiring deliberately precise strokes and careful preparation in order to perform with clarity and phrasing. The twists and turns of constantly changing time signatures is what gives this piece it&#8217;s name, creating a very edgy feel throughout.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1717</post-id>	</item>
		<item>
		<title>Pizza Taco</title>
		<link>https://kayliedunstan.com/product/pizza-taco/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Tue, 24 Feb 2026 20:27:39 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1711</guid>

					<description><![CDATA[&#160;

[audio mp3="https://kayliedunstan.com/wp-content/uploads/2026/02/Pizza-Taco.mp3"][/audio]]]></description>
										<content:encoded><![CDATA[<p>Percussionists might not be able to pluck their xylophone to get a &#8216;pizzicato&#8217; sound like stringed instruments, but we can at least make fun of the name and play with the some energy. Playing &#8216;staccato&#8217; on percussion can be achieved by short, sharp up strokes, which are present through this entire composition. The performer&#8217;s counting and sense of beat will also be tested, as this music is quite spacious. Set at a grade 1 level, it&#8217;s enjoyable to learn for someone who has some reading skills under their belt.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1711</post-id>	</item>
		<item>
		<title>Ode to Joe</title>
		<link>https://kayliedunstan.com/product/ode-to-joe/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Tue, 24 Feb 2026 20:10:49 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1706</guid>

					<description><![CDATA[[audio mp3="https://kayliedunstan.com/wp-content/uploads/2026/02/Ode-to-Joe.mp3"][/audio]]]></description>
										<content:encoded><![CDATA[<p>Ode to Joe is a variations on a theme starting in 3/4 and goes through various other time signatures alterations. It involves rolls, fast arpeggios and several flats in the key signature. Rated at approximately grade 5 level, the performer gets to demonstrate their control and dexterity across the instrument.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1706</post-id>	</item>
		<item>
		<title>New Old Rag</title>
		<link>https://kayliedunstan.com/product/new-old-rag/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Tue, 24 Feb 2026 08:20:14 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1699</guid>

					<description><![CDATA[[audio mp3="https://kayliedunstan.com/wp-content/uploads/2026/02/New_Old_Rag-demo.mp3"][/audio]]]></description>
										<content:encoded><![CDATA[<p>This is a throw-back to the renowned ragtime style, first coming onto the music scene in the late 1800&#8217;s. The most famous composer being Scott Joplin and later in the 1930&#8217;s, popularised by the Green Brothers on xylophone. The solo part employs quintessential ragtime xylophone figures and plenty of syncopated accents. The off-beat chordal emphasis of the piano accompaniment provides that uplifting &#8216;oompah&#8217; feel. Suitable for grade 4 standard.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1699</post-id>	</item>
		<item>
		<title>Spiral of Innocence</title>
		<link>https://kayliedunstan.com/product/spiral-of-innocence/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Tue, 24 Feb 2026 03:00:39 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1688</guid>

					<description><![CDATA[[embed]https://youtu.be/aiefHj-VTlA[/embed]]]></description>
										<content:encoded><![CDATA[<p>This is a multi-percussion accompanied solo for the young percussionist. It&#8217;s centred around a drum kit, with added triangle, tambourine and glockenspiel. Beware of some quick mallet transitions and surprising rhythmic changes. Parts of this piece are rather whimsical and others more assertive, circling the notion of child-like innocence. The instrumentation is easily accessible and comes with piano accompaniment audio, as well as the piano score.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1688</post-id>	</item>
		<item>
		<title>Mallet Drop</title>
		<link>https://kayliedunstan.com/product/mallet-drop/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Mon, 23 Feb 2026 21:06:24 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1683</guid>

					<description><![CDATA[&#160;

[audio mp3="https://kayliedunstan.com/wp-content/uploads/2026/02/Mallet-Drop.mp3"][/audio]]]></description>
										<content:encoded><![CDATA[<p>Make a statement with this simple, but catchy 2-mallet solo. Written at a grade 1 level, the opening is cheery enough, but builds with heightened anticipation towards the end, finishing with a quasi &#8216;mic drop&#8217; emphasis.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1683</post-id>	</item>
		<item>
		<title>Luca&#8217;s March</title>
		<link>https://kayliedunstan.com/product/lucas-march/</link>
		
		<dc:creator><![CDATA[Kaylie6132]]></dc:creator>
		<pubDate>Mon, 23 Feb 2026 20:42:33 +0000</pubDate>
				<guid isPermaLink="false">https://kayliedunstan.com/?post_type=product&#038;p=1676</guid>

					<description><![CDATA[&#160;

[audio mp3="https://kayliedunstan.com/wp-content/uploads/2026/02/Lucas_March.mp3"][/audio]]]></description>
										<content:encoded><![CDATA[<p>An upbeat, feel-good 2-mallet solo in the style of a march. The performer showcases their rolling ability, as well as parallel octaves. The all-familiar chromatic tag transitioning into the final section is testament to musical clichés that don&#8217;t go out of style. Flair is also achieved with some glissandi, which are always fun to play. This piece approaches grade 4 level.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1676</post-id>	</item>
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